She’s become a leading figure in the European and North American avant-garde, taking the trumpet into new realms every time she steps to the microphone. So does Susana Santos Silva, born in Portugal but currently living in Sweden. Lester Bowie of the Art Ensemble of Chicago, Wadada Leo Smith, and Bill Dixon were pioneers of this type of exploration, and Axel Dörner and Peter Evans continue down this path today. The sounds are wide-ranging-squiggles and hisses watery tones that seem to dribble out of the horn’s bell and hang in the air kissing and farting noises. In the last few decades, a school of players has emerged who take a much more exploratory approach to the trumpet, devising new languages based less on notes and scales. This goes on and on and then you die and the horn wins.” And that’s when you’re trying to play the horn in a conventional manner. Some days you try and nothing works and the horn wins. Jazz legend Dizzy Gillespie famously said, “Some days you get up and put the horn to your chops and it sounds pretty good and you win. The trumpet is a difficult and unforgiving instrument under the best of circumstances.
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